{"title":"Wednesday","description":"","products":[{"product_id":"mowing-the-leaves-instead-of-piling-em-up-lp","title":"Mowing the Leaves Instead of Piling 'Em Up Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eRelease Date: March 3, 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWednesday owes so much to our musical influences. The music we love is a big part of what brought us together. My bandmates Margo and Xandy both had infamous Asheville house show venues, Jake was in like a billion different bands which often played in their muggy basements and Alan was usually the one who brought the PA. Our immersion in music predated us trying to make songs together ourselves. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOur common interests in noisey ‘90s guitars, good lyrics, and country music was quickly what permeated into our voice as a band. Most decisions in our songs are made by an amalgamation of all five of our inputs, which happens pretty naturally because of this thread of influences that ties us together. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSo when we got an opportunity for some recording time with Alli Rogers at Betty’s studio in Durham, NC we decided to record covers, and hopefully repay in part the huge debt we are in to the artists who contributed so much to the music we write ourselves. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen I was thinking if there was anything that these songs have in common, the main thing I found recurring was the combination of sadness and humor. It’s effective as hell to combine the two emotions, making each other more intense by the contrast. Some of the masters of this included on this album of course are: Roger Miller, Vic Chesnutt, Gary Stewart and Drive-By Truckers. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSonically, Medicine opened a world of sound to me: a soft voice paired with unrelenting industrial noise. And if you listen to Wednesday’s original music it goes without saying that the Pumpkins discography (at least ‘til 1998) is a sound we reference often and tether ourselves to. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChris Bell is the master of the perfect musical “moment”. There are few lines in any song that hit me as hard as: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Just when I was starting to feel okay, you’re on the phone. I never wanna be alone” I mean… c'mon!! \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere’s just one cover from a band we are lucky to call our peers and for the record I just wanna say Hotline TNT is one of the best bands out there. We stayed real true to the original song for that one… cause it’s pretty perfect as-is. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe later half of the album is songs recorded with my partner and frequent collaborator MJ Lenderman (the thing is… I love him!!) His music is probably my biggest influence out of anyone and I owe him a lot a lot a lot. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAnyways, if for whatever reason you're reading this and haven’t heard the original songs, I encourage you to look ‘em up! We tried our best to pay our respects but at the end of the day you can’t exactly replicate the magic of any of these tracks. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMaking music (and hopefully living off it sometime soon) has been a dream come true for us. So thank you a million times to all the artists that paved the way for us…. Music rocks!!! Wow!!! -Karly Hartzman\u003c\/span\u003e\u003c\/p\u003e","brand":"Wednesday","offers":[{"title":"Black","offer_id":50400766329107,"sku":"WDSM03-LP","price":20.0,"currency_code":"USD","in_stock":false},{"title":"Yellow","offer_id":50400766361875,"sku":"WDSM04-LP","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0724\/5892\/8403\/files\/Wednesday_Web_Mowing-The-Leaves_LP_9a304046-9aab-435a-aac0-a99ef7fdb71f.png?v=1743104849"},{"product_id":"i-was-trying-to-describe-you-to-someone-lp","title":"I Was Trying To Describe You To Someone Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eRelease Date: February 7, 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eI Was Trying to Describe You to Someone is Wednesday's second full-length album \u0026amp; first as a full band. The Asheville, NC quintet (guitarist\/vocalist Karly Hartzman, lead guitarist Daniel Gorham, pedal steel guitarist Xandy Chelmis, bassist Margo Schultz \u0026amp; drummer Alan Miller) maximizes the dark dissonance of a three guitar attack to highlight the emotionality of Hartzman's bell-clear vocals \u0026amp; wisps of half-recalled memories \u0026amp; literary references that make up her lyrics. I Was Trying to Describe You to Someone's eight songs meld elements of shoegaze, grunge, indie pop \u0026amp; southern American culture into a uniquely personal style of modern rock music that resonates with power \u0026amp; tenderness.\u003cbr\u003e\u003cbr\u003eWednesday began as a recording collaboration between Hartzman \u0026amp; Daniel during the winter of 2017, while both students at the University of North Carolina Asheville. While living on campus, the duo recorded a whimsical synth-pop LP entitled Yep, Definitely, influenced heavily by the album Reading, Writing and Arithmetic by English alternative rock group The Sundays (the inspiration for Wednesday's own band name). The duo recruited Chelmis \u0026amp; Miller (along with original bassist Julien Melissas) to play a party at Karly's sister's house, \u0026amp; the full band had an instant chemistry that won over the small crowd. With the immediate support of Asheville's underground music scene, Wednesday quickly became a local staple, appearing often at the band's favorite Asheville venue, The Mothlight.\u003cbr\u003e\u003cbr\u003eSchultz replaced Melissas on bass in time for Wednesday's first tour, \u0026amp; the new line-up recorded a collaborative EP with fellow Ashevillian MJ Lenderman, 2018's How Do You Let Love into the Heart That Isn't Split Wide Open. The EP began Wednesday's progression into darker instrumentation \u0026amp; lyrics, which continued on 2019's Wednesday EP. After graduating from UNCA, Hartzman began writing the songs that would become Wednesday's second full-length release, I Was Trying to Describe You to Someone. With the band contributing arrangements, the new songs placed more emphasis on the noise \u0026amp; dissonance of Chelmis's lap steel \u0026amp; Gorham's lead guitar.\u003cbr\u003e\u003cbr\u003eThe ever-darkening \u0026amp; deepening of Wednesday's sound on I Was Trying to Describe You to Someone owes a debt of influence to The Swirlies, Arthur Russell, Red House Painters, Tenniscoats, Ana Roxanne, Acetone, \u0026amp; their continued collaboration with MJ Lenderman (who lends backing vocals to the songs \"Billboard\" \u0026amp; \"November\"). I Was Trying to Describe You to Someone was recorded at Hartzman's home with engineering assistance from her roommate Colin Miller. The depth \u0026amp; clarity of the recordings balance the distorted volume of Wednesday's live performances with the intimacy of Hartzman's voice. Her words hold the center of the chaos, unobscured by the power of the band.\u003cbr\u003e\u003cbr\u003eHartzman describes her lyrics as \"attempts to access old personal memories \u0026amp; do them justice through prose, with inspiration from the writings of Richard Brautigan, Flannery O'Connor, David Berman \u0026amp; Tom Robbins, \u0026amp; movies like Steel Magnolias.\"\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e**Please note, the irregular version has some jacket damage that does not affect playback. All sales final for this version.\u003c\/p\u003e","brand":"Wednesday","offers":[{"title":"New","offer_id":50607621964051,"sku":"WDSM01-LP","price":24.99,"currency_code":"USD","in_stock":true},{"title":"Irregular","offer_id":50607621996819,"sku":"WDSM01-LPX","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0724\/5892\/8403\/files\/p-aLcdi7-Wednesday_IWTTDYTS_LP_REISSUE.png?v=1743104905"},{"product_id":"rat-saw-god-cd","title":"Rat Saw God CD","description":"\u003cp\u003e\u003cstrong\u003eRelease Date: April 7, 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"A Wednesday song is a quilt. A short story collection, a half-memory, a patchwork of portraits of the American south, disparate moments that somehow make sense as a whole. Karly Hartzman, the songwriter\/vocalist\/guitarist at the helm of the project, is a story collector as much as she is a storyteller: a scholar of people and one-liners. Rat Saw God, the Asheville quintet's new and best record, is ekphrastic but autobiographical and above all, deeply empathetic. Across the album's ten tracks Hartzman, guitarist MJ Lenderman, bassist Margo Shultz, drummer Alan Miller, and lap\/pedal steel player Xandy Chelmis build a shrine to minutiae. Half-funny, half-tragic dispatches from North Carolina unfurling somewhere between the wailing skuzz of Nineties shoegaze and classic country twang, that distorted lap steel and Hartzman's voice slicing through the din.\u003cbr\u003e\u003cbr\u003eRat Saw God is an album about riding a bike down a suburban stretch in Greensboro while listening to My Bloody Valentine for the first time on an iPod Nano, past a creek that runs through the neighborhood riddled with broken glass bottles and condoms, a front yard filled with broken and rusted car parts, a lonely and dilapidated house reclaimed by kudzu. Four Lokos and rodeo clowns and a kid who burns down a corn field. Roadside monuments, church marquees, poppers and vodka in a plastic water bottle, the shit you get away with at Jewish summer camp, strange sentimental family heirlooms at the thrift stores. The way the South hums alive all night in the summers and into fall, the sound of high school football games, the halo effect from the lights polluting the darkness. It's not really bright enough to see in front of you, but in that stretch of inky void, somehow, you see everything.\u003cbr\u003e\u003cbr\u003eRat Saw God was written in the months immediately following Twin Plagues' completion, and recorded in a week at Asheville's Drop of Sun studio. While Twin Plagues was a breakthrough release critically for Wednesday, it was also a creative and personal breakthrough for Hartzman. The lauded record charts feeling really fucked up, trauma, dropping acid. It had Hartzman thinking about the listener, about her mom hearing those songs, about how it feels to really spill your guts. And in the end, it felt okay. I really jumped that hurdle with Twin Plagues where I was not worrying at all really about being vulnerable, I was finally comfortable with it, and I really wanna stay in that zone.\u003cbr\u003e\u003cbr\u003eThe album opener, \"Hot Rotten Grass Smell\", happens in a flash: an explosive and wailing wall-of-sound dissonance that sound at home on any 90s shoegaze album, then peters out into a chirping chorus of peepers, a nighttime sound. And then into the previously-released eight-and-half-minute sprawling, heavy single, \"Bull Believer.\" Other tracks, like the creeping. \"What's So Funny\"‚or ‚\"Turkey Vultures\" interrogate Hartzman's interiority - intimate portraits of coping, of helplessness. \"Chosen to Deserve\" is a true-blue love song complete with ripping guitar riffs, skewing classic country. \"Bath County\" recounts a trip Hartzman and her partner took to Dollywood, and time spent in the actual Bath County, Virginia, where she wrote the song while visiting, sitting on a front porch. And Rat Saw God closer \"TV in the Gas Pump\" is a proper traveling road song, written from one long ongoing iPhone note Hartzman kept while in the van, its final moments of audio a wink toward Twin Plagues.\u003cbr\u003e\u003cbr\u003eThe reference-heavy stand-out \"Quarry\" is maybe the most obvious example of the way Hartzman seamlessly weaves together all these throughlines. It draws from imagery in Lynda Barry's Cruddy; a collection of stories from Hartzman's family (her dad burned down that cornfield); her current neighbors; and the West Virginia street from where her grandma lived, right next to a rock quarry, where the explosions would occasionally rock the neighborhood and everyone would just go on as normal.\u003cbr\u003e\u003cbr\u003eThe songs on Rat Saw God don't recount epics, just the everyday. They're true, they're real life, blurry and chaotic and strange which is in-line with Hartzman's own ethos: \"Everyone's story is worthy\" she says, plainly. \"Literally every life story is worth writing down, because people are so fascinating.\"\u003cbr\u003e\u003cbr\u003eBut the thing about Rat Saw God - and about any Wednesday song, really - is you don't necessarily even need all the references to get it, the weirdly specific elation of a song that really hits. Yeah, it's all in the details how fucked up you got or get, how you break a heart, how you fall in love, how you make yourself and others feel seen but it's mostly the way those tiny moments add up into a song or album or a person.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eRecord Label: \u003c\/strong\u003eDead Oceans\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eFormat + Color: \u003c\/strong\u003e\u003cspan\u003eCD\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Hot Rotten Grass Smell\u003cbr\u003e2. Bull Believer\u003cbr\u003e3. Got Shocked\u003cbr\u003e4. Formula One\u003cbr\u003e5. Chosen to Deserve\u003cbr\u003e6. Bath County\u003cbr\u003e7. Quarry\u003cbr\u003e8. Turkey Vultures\u003cbr\u003e9. What's So Funny\u003cbr\u003e10. TV In The Gas Pump\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Wednesday","offers":[{"title":"Default Title","offer_id":45381564039443,"sku":"WDSM05-CD","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0724\/5892\/8403\/files\/p-7S0UOr-doc328.wednesday.ratsawgod.cd.mock.nobg.shadow.png?v=1743104816"},{"product_id":"rat-saw-god-standard-black-lp","title":"Rat Saw God (Black) Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eRelease Date: April 7, 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlease note, irregular version has damage to jacket that does not affect vinyl. All sales final.\u003c\/p\u003e\n\u003cp\u003e\"A Wednesday song is a quilt. A short story collection, a half-memory, a patchwork of portraits of the American south, disparate moments that somehow make sense as a whole. Karly Hartzman, the songwriter\/vocalist\/guitarist at the helm of the project, is a story collector as much as she is a storyteller: a scholar of people and one-liners. Rat Saw God, the Asheville quintet's new and best record, is ekphrastic but autobiographical and above all, deeply empathetic. Across the album's ten tracks Hartzman, guitarist MJ Lenderman, bassist Margo Shultz, drummer Alan Miller, and lap\/pedal steel player Xandy Chelmis build a shrine to minutiae. Half-funny, half-tragic dispatches from North Carolina unfurling somewhere between the wailing skuzz of Nineties shoegaze and classic country twang, that distorted lap steel and Hartzman's voice slicing through the din.\u003cbr\u003e\u003cbr\u003eRat Saw God is an album about riding a bike down a suburban stretch in Greensboro while listening to My Bloody Valentine for the first time on an iPod Nano, past a creek that runs through the neighborhood riddled with broken glass bottles and condoms, a front yard filled with broken and rusted car parts, a lonely and dilapidated house reclaimed by kudzu. Four Lokos and rodeo clowns and a kid who burns down a corn field. Roadside monuments, church marquees, poppers and vodka in a plastic water bottle, the shit you get away with at Jewish summer camp, strange sentimental family heirlooms at the thrift stores. The way the South hums alive all night in the summers and into fall, the sound of high school football games, the halo effect from the lights polluting the darkness. It'not really bright enough to see in front of you, but in that stretch of inky void - somehow - you see everything.\u003cbr\u003e\u003cbr\u003eRat Saw God was written in the months immediately following Twin Plagues' completion, and recorded in a week at Asheville's Drop of Sun studio. While Twin Plagues was a breakthrough release critically for Wednesday, it was also a creative and personal breakthrough for Hartzman. The lauded record charts feeling really fucked up, trauma, dropping acid. It had Hartzman thinking about the listener, about her mom hearing those songs, about how it feels to really spill your guts. And in the end, it felt okay. \"I really jumped that hurdle with Twin Plagues where I was not worrying at all really about being vulnerable - I was finally comfortable with it, and I really wanna stay in that zone.\"\u003cbr\u003e\u003cbr\u003eThe album opener, \"Hot Rotten Grass Smell,\" happens in a flash: an explosive and wailing wall-of-sound dissonance that'd sound at home on any '90s shoegaze album, then peters out into a chirping chorus of peepers, a nighttime sound. And then into the previously-released eight-and-half-minute sprawling, heavy single, \"Bull Believer.\" Other tracks, like the creeping \"What's So Funny\" or \"Turkey Vultures,\" interrogate Hartzman's interiority - intimate portraits of coping, of helplessness. \"Chosen to Deserve\" is a true-blue love song complete with ripping guitar riffs, skewing classic country. \"Bath County\" recounts a trip Hartzman and her partner took to Dollywood, and time spent in the actual Bath County, Virginia, where she wrote the song while visiting, sitting on a front porch. And Rat Saw God closer \"TV in the Gas Pump\" is a proper traveling road song, written from one long ongoing iPhone note Hartzman kept while in the van, its final moments of audio a wink toward Twin Plagues.\u003cbr\u003e\u003cbr\u003eThe reference-heavy stand-out \"Quarry\" is maybe the most obvious example of the way Hartzman seamlessly weaves together all these throughlines. It draws from imagery in Lynda Barry's Cruddy; a collection of stories from Hartzman's family (her dad burned down that cornfield); her current neighbors; and the West Virginia street from where her grandma lived, right next to a rock quarry, where the explosions would occasionally rock the neighborhood and everyone would just go on as normal.\u003cbr\u003e\u003cbr\u003eThe songs on Rat Saw God don't recount epics, just the everyday. They're true, they‚'re real life, blurry and chaotic and strange which is in-line with Hartzman's own ethos: \"Everyone's story is worthy,\" she says, plainly. \"Literally every life story is worth writing down, because people are so fascinating.\"\u003cbr\u003e\u003cbr\u003eBut the thing about Rat Saw God - and about any Wednesday song, really - is you don't necessarily even need all the references to get it, the weirdly specific elation of a song that really hits. Yeah, it's all in the details - how fucked up you got or get, how you break a heart, how you fall in love, how you make yourself and others feel seen - but it's mostly the way those tiny moments add up into a song or album or a person.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eRecord Label:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eDead Oceans\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eFormat + Color:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e12\" Vinyl \/ Black\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Hot Rotten Grass Smell\u003cbr\u003e2. Bull Believer\u003cbr\u003e3. Got Shocked\u003cbr\u003e4. Formula One\u003cbr\u003e5. Chosen to Deserve\u003cbr\u003e6. Bath County\u003cbr\u003e7. Quarry\u003cbr\u003e8. Turkey Vultures\u003cbr\u003e9. What's So Funny\u003cbr\u003e10. TV In The Gas Pump\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Wednesday","offers":[{"title":"New","offer_id":50400707936531,"sku":"WDSM05-LP","price":24.99,"currency_code":"USD","in_stock":true},{"title":"Irregular","offer_id":50400707969299,"sku":"WDSM05-LPX","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0724\/5892\/8403\/products\/doc328.wednesday.ratsawgod.lp.mock.black.nobg.shadow.png?v=1685628538"},{"product_id":"queen-of-sads-tote","title":"Queen of Sad Tote","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"arial, sans, sans-serif\"}' data-sheets-value='{\"1\":2,\"2\":\"Large Twill Tote\"}'\u003e\u003cstrong\u003eProduct Style:\u003c\/strong\u003e Large Twill Tote\u003cbr\u003e\u003cstrong\u003eDesigned by: \u003c\/strong\u003eEsteban Gonzalez (@Ques0fresco)\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003ca href=\"http:\/\/www.ambientinks.com\/\" data-mce-fragment=\"1\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Wednesday","offers":[{"title":"Default Title","offer_id":45381564530963,"sku":"WDSA10","price":18.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0724\/5892\/8403\/products\/Wednesday_Web_Lady_Black_Tote.png?v=1685628541"},{"product_id":"queen-of-sads-long-sleeve","title":"Queen of Sad L\/S T-shirt","description":"\u003cp\u003e\u003cstrong\u003eProduct Brand\/Style:\u003c\/strong\u003e econscious EC1500 Longsleeve Olive\u003cbr\u003e\u003cb data-mce-fragment=\"1\"\u003eDesigner\/Artist:\u003c\/b\u003e\u003cspan\u003e Esteban Gonzalez (@Ques0fresco)\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Wednesday","offers":[{"title":"Small","offer_id":45381564858643,"sku":"WDSA02-S","price":30.0,"currency_code":"USD","in_stock":false},{"title":"Medium","offer_id":45381564891411,"sku":"WDSA02-M","price":30.0,"currency_code":"USD","in_stock":false},{"title":"Large","offer_id":45381564924179,"sku":"WDSA02-L","price":30.0,"currency_code":"USD","in_stock":false},{"title":"X-Large","offer_id":45381564956947,"sku":"WDSA02-XL","price":30.0,"currency_code":"USD","in_stock":false},{"title":"2X-Large","offer_id":45381564989715,"sku":"WDSA02-XXL","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0724\/5892\/8403\/products\/Wednesday_Web_Lady_Olive_Long-Sleeve.png?v=1685628545"},{"product_id":"twin-plagues-vinyl","title":"Twin Plagues Vinyl LP","description":"\u003cp\u003e\u003cb\u003eRelease Date:\u003c\/b\u003e \u003cstrong\u003eAugust 13, 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn a long and emotionally exhausting year of being inside (alone, in my case,) I have found myself thinking about mirrors. How to avoid spending too much time in them, most days. Taking inventory of the real, physical self is difficult work, work that I'm not entirely opposed to but work that became immediately more treacherous for me when I had to witness the very real toll that time, modern anxieties, isolation, and boredom were taking on me. It was easier, it seemed, to spiral into a not-so-distant glorious past, to use memory as a tool of both excitement and healing.\u003cbr\u003e\u003cbr\u003eBut, speaking of excitement, I like to stumble towards a band with no agenda, no purpose, uncovering sound almost on accident. This is how I first heard Wednesday. The band came to me and I don‚Äôt remember how, or why. They simply arrived, as if we'd been traveling toward each other our whole lives. I Was Trying To Describe You To Someone soaked into my summer of 2020, and in sound, in spirit, in central concerns and the execution of them, it took me back to an era before the current era, which I'd needed at the time. The past can feel less hellish than the present if we are, sometimes, not fully honest with ourselves.\u003cbr\u003e\u003cbr\u003eThere is the trick of nostalgia that I spend a lot of time playing with in my own writing, and somewhat tormented by in my own living. The very real idea that nostalgia is both a useful tool and also a weapon if it isn't paired with something that approaches a type of rigorous honesty. Which is hard to do, sometimes. My memories flare and fire with only the finest aesthetics of a past that I was certainly in, but I often deem myself as only a secondary character, if even that. Which, of course, lets me off the hook in the name of fluorescence and flourish, in the name of sound and sight.\u003cbr\u003e\u003cbr\u003eI love Twin Plagues first for its songs, plainly. If you, listening to Wednesday for the first time around or even the second time around, stumble onto this album, I promise you the songs will be what grab you first, beyond any of my foolish high-level emotional theorizing or projections. Every band that loves the pursuit of their craft the way this band does is one to follow, because getting to sit on the sidelines and watch them level up is a real generosity. Twin Plagues is overflowing with hooks, but what most delighted me about the band from the start has taken a leap: they have managed, somehow, to get even better at structuring their noise from one movement of a song to the next. The idea of the \u003cem\u003esong\u003c\/em\u003e itself is flexible in their hands, so much so that each song holds two, or three songs within. This, again, generosity. \u003cem\u003eCody's Only\u003c\/em\u003e is a ballad until it begins to threaten a storm of volume, and then, in its final act, it becomes something else altogether. \u003cem\u003eOne More Last One\u003c\/em\u003e is a shoegaze-y trip that swells and swells until it overflows, but it doesn't stop. It keeps offering and offering and offering. I say \u003cem\u003enoise\u003c\/em\u003e and never in a dismissive sense. Everything has a place, and so much of its place is to serve the true heart of this album, and the true heart of Wednesday's music, which is allowing cracks through which tenderness can enter and exit as needed. Tenderness that, it seems to me, is always wrestling underneath whatever else might be happening on a song's surface.\u003cbr\u003e\u003cbr\u003eBut if I may go back to all of these ideas of nostalgia and our old, tricky, past selves that are, indeed, a part of the house of bricks that make up our present self, what I also hope you, listener, might adore about this album is the exact moment at the start of \u003cem\u003eThe Burned Down Dairy Queen\u003c\/em\u003e when Karly sings I was hiding in a room in my mind \/ and I made me take a look at myself. Because if you, like me, have been avoiding mirrors both metaphorical and real this is where the album becomes a lighthouse, echoing bright across the darkness of my otherwise dark and empty chambers. So much of these songs meditate on the past in far less romantic ways than I have found myself meditating on the past, and I was desperate for the recalibration that this album provided. I was desperate for making myself less blurry in my own memories and reckoning with my full, multitudinous self. The self that was once unkind, or less gentle, or less curious than I am now. I needed this album to remind me to embrace the fullness of my unfinished nature, the years I have lived and with any luck the years I have to go.\u003cbr\u003e\u003cbr\u003eSo, yes, the songs are good. You will maybe roll down your windows on a comfortable day on the right stretch of road in a warm season and turn the volume up when \u003cem\u003eBirthday Song\u003c\/em\u003e gets good and loud and sing-along-able. You might sit atop a rooftop at night, closer to the moon than you were on the ground, and let \u003cem\u003eGhost Of A Dog\u003c\/em\u003e churn and rattle you to some nighttime realization that you couldn't have had in silence.\u003cbr\u003e\u003cbr\u003eBut, even on top of all of this, on top of all the pleasures and the mercies that the sounds on this album might afford. I hope and think, too, that it will remind anyone who listens that we are a collection of many reflections. All of them deserving patience.\u003cbr\u003e\u003cbr\u003eHanif Abdurraqib\u003cbr\u003e\u003cbr\u003e160 gram black vinyl LPs with full color photo labels in poly-lined innersleeves \u0026amp; extra heavyweight, full color photo jackets, plus double-sided, 11x17 poster\/lyric sheet inserts. 12 tracks, 34 minutes.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eRecord Label\u003c\/b\u003e\u003cstrong\u003e:\u003c\/strong\u003e Orindal Records\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eFormat + Color:\u003c\/b\u003e 12\" Vinyl \/ Black\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTracklist:\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003e1. Twin Plagues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Handsome Man\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. 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Gurl: 1.5\\\" circular button \\nAggro: 2.25\\\" circular button\\nRat Saw God: 1.5\\\" circular button\\nBat Boy: 2.25\\\" circular button \\nAll designs from the Rat Saw God tour collection \"}'\u003eRat Saw God: 1.5\" circular button\u003cbr\u003e\u003cbr\u003eAll designs from the Rat Saw God tour collection \u003c\/span\u003e\u003c\/p\u003e","brand":"Wednesday","offers":[{"title":"Default Title","offer_id":45889522434323,"sku":"WDSA09","price":0.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0724\/5892\/8403\/files\/Wednesday_Web_2023-Buttons_Rat-Saw-God.png?v=1689868147"},{"product_id":"truckstop-tee","title":"Truckstop T-shirt","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Product Brand\/Style: District Re-Tee \\nhttps:\/\/www.districtclothing.com\/p\/10175_Ash#?doScrollToGrid=true\\nFabric: 100% Recycled Cotton \\n\\nDesigner\/Artist: Jon Samuels \\nProduced by: Ambient Inks \\nProduction Method: Screen print \\nInks: Standard \"}' data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}'\u003e\u003cstrong\u003eProduct Brand\/Style:\u003c\/strong\u003e \u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.districtclothing.com\/p\/10175_Ash#?doScrollToGrid=true\" target=\"_blank\"\u003eDistrict Re-Tee\u003c\/a\u003e\u003cbr\u003e\u003cstrong\u003eFabric:\u003c\/strong\u003e 100% Recycled Cotton \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDesigner\/Artist:\u003c\/strong\u003e Jon Samuels \u003cbr\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Ambient Inks \u003cbr\u003e\u003cstrong\u003eProduction Method:\u003c\/strong\u003e Screen print \u003cbr\u003e\u003cstrong\u003eInks:\u003c\/strong\u003e 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href=\"https:\/\/www.districtclothing.com\/p\/10175_Ash#?doScrollToGrid=true\" target=\"_blank\"\u003eDistrict Re-Tee\u003c\/a\u003e\u003cbr\u003e\u003cstrong\u003eFabric:\u003c\/strong\u003e 100% Recycled Cotton \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDesigner\/Artist:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eCheyenne Sariñana\u003cbr\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Ambient Inks \u003cbr\u003e\u003cstrong\u003eProduction Method:\u003c\/strong\u003e Screen print \u003cbr\u003e\u003cstrong\u003eInks:\u003c\/strong\u003e Standard \u003c\/span\u003e\u003c\/p\u003e","brand":"Wednesday","offers":[{"title":"Unisex Small","offer_id":47956238369043,"sku":"WDSA05-S","price":22.5,"currency_code":"USD","in_stock":true},{"title":"Unisex Medium","offer_id":47956238401811,"sku":"WDSA05-M","price":22.5,"currency_code":"USD","in_stock":true},{"title":"Unisex 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Christiane F\u003c\/div\u003e","brand":"MJ Lenderman","offers":[{"title":"Default Title","offer_id":50841492554003,"sku":"MJLM06-LP","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0724\/5892\/8403\/files\/MJLM06-LP.png?v=1743609630"},{"product_id":"mj-lenderman-wednesday-guttering-pea-green-cassette-tape","title":"MJ Lenderman \u0026 Wednesday Guttering (Pea Green) Cassette Tape","description":"\u003cp\u003e\u003cstrong\u003eRelease Date: June 20, 2025\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv aria-expanded=\"false\" aria-controls=\":gq8\" aria-owns=\":gq8\" spellcheck=\"false\" aria-multiline=\"true\" role=\"textbox\" aria-label=\"Message Body\" class=\"Am aiL Al editable LW-avf tS-tW tS-tY\" id=\":glg\" tabindex=\"1\"\u003e\n\u003cb\u003eTrack List:\u003c\/b\u003e\u003cbr\u003e01. Big Money\u003cbr\u003e02. Terminex\u003cbr\u003e03. Phish Pepsi (ft. Advance Base)\u003cbr\u003e04. 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Karly Hartzman, the songwriter\/vocalist\/guitarist at the helm of the project, is a story collector as much as she is a storyteller: a scholar of people and one-liners. Rat Saw God, the Asheville quintet's new and best record, is ekphrastic but autobiographical and above all, deeply empathetic. Across the album's ten tracks Hartzman, guitarist MJ Lenderman, bassist Margo Shultz, drummer Alan Miller, and lap\/pedal steel player Xandy Chelmis build a shrine to minutiae. Half-funny, half-tragic dispatches from North Carolina unfurling somewhere between the wailing skuzz of Nineties shoegaze and classic country twang, that distorted lap steel and Hartzman's voice slicing through the din.\u003cbr\u003e\u003cbr\u003eRat Saw God is an album about riding a bike down a suburban stretch in Greensboro while listening to My Bloody Valentine for the first time on an iPod Nano, past a creek that runs through the neighborhood riddled with broken glass bottles and condoms, a front yard filled with broken and rusted car parts, a lonely and dilapidated house reclaimed by kudzu. Four Lokos and rodeo clowns and a kid who burns down a corn field. Roadside monuments, church marquees, poppers and vodka in a plastic water bottle, the shit you get away with at Jewish summer camp, strange sentimental family heirlooms at the thrift stores. The way the South hums alive all night in the summers and into fall, the sound of high school football games, the halo effect from the lights polluting the darkness. It'not really bright enough to see in front of you, but in that stretch of inky void - somehow - you see everything.\u003cbr\u003e\u003cbr\u003eRat Saw God was written in the months immediately following Twin Plagues' completion, and recorded in a week at Asheville's Drop of Sun studio. While Twin Plagues was a breakthrough release critically for Wednesday, it was also a creative and personal breakthrough for Hartzman. The lauded record charts feeling really fucked up, trauma, dropping acid. It had Hartzman thinking about the listener, about her mom hearing those songs, about how it feels to really spill your guts. And in the end, it felt okay. \"I really jumped that hurdle with Twin Plagues where I was not worrying at all really about being vulnerable - I was finally comfortable with it, and I really wanna stay in that zone.\"\u003cbr\u003e\u003cbr\u003eThe album opener, \"Hot Rotten Grass Smell,\" happens in a flash: an explosive and wailing wall-of-sound dissonance that'd sound at home on any '90s shoegaze album, then peters out into a chirping chorus of peepers, a nighttime sound. And then into the previously-released eight-and-half-minute sprawling, heavy single, \"Bull Believer.\" Other tracks, like the creeping \"What's So Funny\" or \"Turkey Vultures,\" interrogate Hartzman's interiority - intimate portraits of coping, of helplessness. \"Chosen to Deserve\" is a true-blue love song complete with ripping guitar riffs, skewing classic country. \"Bath County\" recounts a trip Hartzman and her partner took to Dollywood, and time spent in the actual Bath County, Virginia, where she wrote the song while visiting, sitting on a front porch. And Rat Saw God closer \"TV in the Gas Pump\" is a proper traveling road song, written from one long ongoing iPhone note Hartzman kept while in the van, its final moments of audio a wink toward Twin Plagues.\u003cbr\u003e\u003cbr\u003eThe reference-heavy stand-out \"Quarry\" is maybe the most obvious example of the way Hartzman seamlessly weaves together all these throughlines. It draws from imagery in Lynda Barry's Cruddy; a collection of stories from Hartzman's family (her dad burned down that cornfield); her current neighbors; and the West Virginia street from where her grandma lived, right next to a rock quarry, where the explosions would occasionally rock the neighborhood and everyone would just go on as normal.\u003cbr\u003e\u003cbr\u003eThe songs on Rat Saw God don't recount epics, just the everyday. They're true, they‚'re real life, blurry and chaotic and strange which is in-line with Hartzman's own ethos: \"Everyone's story is worthy,\" she says, plainly. \"Literally every life story is worth writing down, because people are so fascinating.\"\u003cbr\u003e\u003cbr\u003eBut the thing about Rat Saw God - and about any Wednesday song, really - is you don't necessarily even need all the references to get it, the weirdly specific elation of a song that really hits. 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